Adventure photography is part of Elinchrom’s DNA
In partner with Red Bull Photography, we choose the best and most creative photographers for their outstanding
skills and contributions to make outdoor flash photography as spectacular as possible.
Testing the ELB 1200 On an Athlete Shoot
Photographer Lorenz Holder and trail biking Thomas Öhler teamed up for a day of shooting.
Clickin’ the Trick with the ELB 500 TTL
For most action photographer, their love of the sport started long before they picked up a camera.
A Speed Ride track through a natural Ice Tunnel!
The Blue Room, check out the story behind this breathtaking image.
Surfing Northern Lights with the ELB battery packs
Two photographers teamed up to work on Earth’s greatest light show.
Do you wonder how tough the ELB 1200 unit is?
Michael Clark did a real-size field test to push the unit to its limits.
Ever wondered what it felt like to fly?
Tristan and his team pulled a crazy stunt in Turkey and turned air into their own playground.
Flash a Wingsuit Flier
Tristan describes his latest adventure, photographing an athlete flying in a wingsuit over the Alps.
Going Remote with Strobes
Michael Clark shares his experience for success when taking strobes into inhospitable environments.
Behind the Scenes with Red Bull Photo Academy
Over September 2016, was held the Red Bull Photography Academy in Salzburg.
Shooting downhill skateboarding with the ELB 400
I wanted this shoot to be different and doing something that hasn’t been done before.
Red Bull Velodux 2015
David Robinson documented the Red Bull Velodux, a cyclocross race in Switzerland.
The Crevasse
Imagine positioning yourself at the bottom of an icy crevasse with a studio flash system, waiting for skiers to leap above you !
OUR PHOTOGRAPHERS
Originally specializing in shooting extreme action sports and athletes, Chris has created a unique style over the past decade. The look Chris is known for has now become his brand and nick name, FlashGarrison. Taking everything he learned from the high-speed world of action sports, Chris is now immersed in the highly competitive world of commercial advertising. Some of the first agencies and brands Chris initially worked with were dream clients of his. The knowledge from working with these large brands gives him the confidence and endurance he needs to push further on every shoot.
With a history of being a post college multi-sport athlete himself, Chris has passion, drive, determination, and need to push boundaries like no one else. Chris is humbled to have received many awards for his editorial and commercial work. He has grown a strong, confidant, and magnetic personality, with camp side fire stories that will blow the most seasoned veteran’s mind. However those stories never last long enough because Gate C35 will be calling him back … in a flash.
Combines his long term personal documentary projects with editorial and commercial assignments.
He has a great interest in working on stories and projects where he can get really close to the subjects and where he can establish a deep connection with it.
Born in 1981 in Manila, Philippines, and grew up in Napoli.
He has a degree in Media Science and Semiotic at Bologna University. After the graduation,he spent a brief period in Milan and then moved to Spain, where he has lived since 2005.
– His work is represented by Contrasto, the leading Italian photo agency.
– He is part of Red Bull Photography network, which stands for authentic and absorbing imagery telling real stories.
– He regularly hosts lectures and workshops on his activity as professional photographer at IED Madrid, Lens -School of Visual Arts in Madrid and Escuela universitaria de Artes y Espectáculos TAI in Madrid.
EDITORIAL CLIENTS
The New York Times
The Financial Times Weekend Magazine
El Pais Semanal
Monocle
Icon
Esquire
Der Spiegel
M, Le Monde
The Guardian
L’Espresso
L’Officiel Spain
Rolling Stone España
IL
IoDonna
SportWeek
COMMERCIAL CLIENTS
Puma
Footlocker
Red Bull
The Red Bull Music Academy
Sony Records
McCann-Erickson
Carhartt
Saucony
AWARDS
2016 – Shortlisted at the Spanish Photobook Award at the PhotoEspaña Festival with the book “DÚO 04 – Sobre la Frontera Sur”.
2016 – Nominated for the Elliot Erwitt Havana Club Fellowship. 2016 – Nominated. ING Unseen Talent Award.
2016- Selected at Lumix Festival for Young Photojournalists in Hannover
2015 -World Press Photo, 3rd Prize ,General News- Single Image
2015 – Honorable mention “Premio Amilcare G. Ponchielli”
for “Frontera Sur”.
2013 – Shortlisted Prix ANI-PixPalace
with “Frontera Sur”
2011 and 2009- Nominated for the Joop Swart Masterclass
My roots are in the streets but i’ve been shooting more and more different subjects, from motor sports to documentaries and corporates.
I’ve been also directing for a decade, mainly in brand content.
As a former physicist Michael has worked on both sides of the technical revolution – helping refine the technology and using it for his current profession. Michael has worked as a professional photographer since 1996 and added digital photography to his repertoire in 2003. While Michael still shoots some film, mostly medium format, the lion’s share of his images are now produced with high-resolution digital cameras.
He has been featured in Digital Photo Pro (December 2011), Outdoor Photographer (September 2001), Nikon World Magazine(Summer 2006), Digital Photographer (UK, 2010), Rangefinder Magazine (May 2010), and New Mexico Magazine (2007) for his work with extreme sports. Digital Photo Pro proclaimed Michael a “Master of Adventure” Photography in their 2011 Masters issue.
At first I just wanted to see the action but then I ended up only shooting pictures. After that I was invited to shoot various windsurfing competitions and later on all kinds of different sports. A year later, I enrolled in the Estonian Academy of Arts to study photography.
Today my main focus is on motorsports but I love to shoot other sports. Thanks to Nikon and Elinchrom I can try almost anything that comes to mind. I am always trying to find something new in every shoot: new lighting techniques, cool remote camera places or anything else. I believe there are a lot of interesting things yet to be discovered in the world of photography.
After the degree decides to chase his dreams, instead of living of regrets.
He enrolles at the Italian Institute of Photography and after many ups and downs now finally he is an advertising photographer.
He considers himself a lucky man.
He works for global brands like Adidas, Boxeur Des Rues, Discovery Channel, MTV, Puma, Reebok, Red Bull, Vibram, Sky and many more.
The next 6 years Brett spent assisting some of Australia’s top Advertising photographers while studying photography, and shooting his own folio work. In 2009 he was listed in Capture Magazines ‘Top 10 Photography Assistants’ in The Annual.
Following his years assisting, Brett began focusing his work and goals within the Sports industry and has been able to develop a diverse sporting folio working for a range of Australian and International clients.
Working primarily within the Wakeboarding Industry in his early years, he established a close relationship with Wake Magazine as a senior photographer. Brett also worked as a senior photographer for WAKEDITION and a contributing photographer for other Australian and International wakeboarding magazines.
Following Brett’s success in the wakeboarding industry, Brett was awarded the Australian/New Zealand Best Wakeboarding Photographer Of The Year 6 years in a row from 2010 onwards.
Utilizing his time spent as an assistant in the advertising industry, Brett has applied his knowledge of lighting with both flash and natural light, with his ability to understand and capture sport to separate himself from the average sporting photographer.
In 2013, Brett signed on with Getty Images, a global photo agency, as a contributing sports photographer. Brett has covered events such as the Hyundai A-League Soccer & FIFA World Cup Qualifiers, The Super Rugby & The 2013 British & Irish Lions Tour, The Australian Youth Olympics, Various Golf Tournaments, The NRL, AFL and more Cricket that he can remember just to name a few.
Red Bull Australia, the dream client for Brett, began commissioning work in 2014. Since then, Brett has worked regularly with Red Bull and their athletes and is now apart of the Red Bull Photography program.
Brett continues to work as a sports photographer pushing both himself and the athletes he works with to create unique and technical images. Occasionally, you might find him in the middle of the desert living out of his swag. He covers assignments for the 4wding industry, a side passion that takes him off the beaten track throughout Australia where having mobile reception is a distant memory.
Teaching himself to ski at the age of three in the former Czechoslovakia Jussi’s love affair for the mountains and the exhilaration of a life lived outdoors was solidified at an early age.
Jussi Grznar has a continual appreciation for the environment around him and values photography as a means to document life. At home in the backcountry, Jussi has been witness to our changing environment as world temperatures rise. He hopes by sharing the beauty and elegance of these places he can bring awareness to the importance of conscious environmentalism and sustainability.
His work has taken him across the globe through rice fields, double-overhead barreling waves, to the Ghats of Varanasi. These experiences have earned him a global perspective, resulting in a unique style. A style which was recognized and awarded as ‘Best in Show’ and ‘People’s Choice’ at the 2016 World Ski and Snowboard Festival here in Whistler.
A Vista, CA local Jussi Grznar is a storyteller at heart, always searching for the next defining moment.
My background is in photojournalism and photography, particularly in the adventure sports realm. I started out as a kid in college, traveling around the country on my own dime in a beat-up Honda Civic with a brick of slide film to shoot rock climbing. This was in the mid 1990s, when climbing was still an obscure sport and the world of extreme / adventure sports was just beginning to enter the mainstream. At the time, it was all about just following my passion, but what I didn’t realize was how it would springboard me into bigger and bigger projects.
My idea of photography is linked to the idea of shooting in action. I like to be part of what I’m shooting, both mentally and physically. This means being ready for the action, and I train to improve my skills and strength. From the beginning, I had the idea that having a camera didn’t make me a photographer. So I’ve been exploring every aspect of photography. Photography is not just a way of earning money or proving to be a good technician. With my small skiers lost in oceans of snow, I try to show that there is a different way to relate with nature. For me, this is the first step in my personal evolution. Thanks to photography, I’m travelling the world and meeting a lot of people. Every new experience enriches me and makes me want to find a new story to be told using only one word: click.
Complete autodidact, he felt the photographic exercise more than he has learned .
Always in quest of the next surprise he will create for his spectators, he thinks that emotion can, and must be present in a picture whatever is the photographed subject.
Without confining to it, however, the mechanical sports and the aviation are its grounds of preference.
Based in the North of France, he now travels the world, meeting of those who “make” the event.
At the age of 18 Lorenz took his fathers camera and decided to document his friends snowboarding. This was when Lorenz got his first click of photography. Since then he travelled around the alps, made new friends and has gone snowboarding in some fantastic places . At the age of 22, Lorenz realized that there is more to photography than just snowboard photography. He opened his eyes to find portraits, cars and commercial.
Craig, who has been shooting pro since 2001, has not only developed a unique style, but has perfected a super fast workflow in keeping with the high pressure rigours of shooting events and activations for clients such as Red Bull, Salomon and Oakley. His work however is not only commercial and brand based and he has a long string of editorial clients, the likes of Bicycling, Runner’s World, the Red Bulletin.
Craig’s go-to setup for a shoot would be a Nikon D5/D850 and D750 with 70-200mm and 16mm fish eye for wide work. He has his Elinchrom ELB 400 s always close by and is used widely on projects.
I am a Danish Copenhagen based photographer specialized in dramatic on location photos that stand out from the crowd. I am born out of a family of professional artist, but before I saw myself as a professional photographer, I finished high school, served the Danish army and got my bachelor in economics and business administration from CBS. After a short career in the financial sector, I quit my job, as the urge to be more creative got too big. From my early teenage years, I always wandered around with a camera, learning the skills of photography.
As my skills improved, I started building up a rather good portfolio and in 2010 fueled by passion, I started up as a fulltime professional photographer, and I have luckily never looked back. I have kept many of the skills I learned in my earlier career and they are still making a significant mark on my work morals. I always go to an assignment with a “can do mentality”, a military precision for timeframe and organization, and of course a hard believe in the business slogan “there is no substitute for hard work”.
Mostly self-taught and also working as a photo assistant, he started his career as an adventure and action sports photographer. His professional career began in 2005. And during this years, he´s photographed numerous adventure races, expeditions, different sports and journeys in remote places. Contributing to the editorial market such as National Geographic Traveller, Runner’s World, Trail Runner, Bike, The New York Times, Climbing, among others. He has collaborated with Adidas, Nike, Puma, Speedo, Petzl, Discovery
Channel and Mexico´s tourism board. He is a Red Bull photographer since 2008.
As an individual, Mark strongly believes music and skate culture has long been catalyst for radical ideas and channels for creativity. Through experimenting,discovering and collaborating with the proponents of these and other street cultures, Mark continues to build a body of photographic work that aims to
reveal and demonstrate the uncompromised dynamism and raw energy of these alternate worlds.
His portfolio spans a variety of clients from editorial pieces for the likes of Discovery Channel Magazine and Action Asia to commercial shoots for NIKE, Puma, Red Bull and CANON. His current project involves producing a zine featuring only local athletes and artists in an attempt to document their culture for years to come.
In the same year, Red Bull made Naim one of their preferred photographers worldwide among “Red Bull photofiles” especially in the Middle East.
Naim is an extreme sports addict. He spends most of his free time in the sea, wake boarding, surfing, and kite surfing� And he’s a 3-time ski champion in Lebanon.
Overwhelmed by the vast terrain and deep powder of the two mega resorts, Scott escaped the grip of skiing church group to acquire his first snowboard. Later that year he moved into a friends VW van that they would park nightly underground, below the conference center, where they would steal power from the last stall of the third floor to heat the ’73 Westfalia. He subsisted on leftover food from the Rendezvous restaurant a top Blackcomb Mountain and wore clothing left in the lost and found. During the early 1990′s he acquired his first Canon camera when a drunk French-Canadian freestyle skier, being pursued by the RCMP, stashed it along with twenty rolls of unexposed Fuji Provia and a half bottle of Rye Whiskey in stall number three of the Garfinkel’s washroom. Scott’s destiny was sealed. After exposing all the film shooting up-and-coming professional snowboarders like Devun Walsh, Kevin Sansalone and Rob Dow he mustered enough courage to submit the color slides to Concrete Powder Magazine.
From his first photo published in Concrete Powder his fame grew. He made a fortune and spent it on bottles of Royal Reserve whiskey for the Chesterfield House parties and Jager shots for friends at Tommy Africa’s. In 1998, the worlds largest and most prestigious snowboard magazine, Transworld SNOWboarding, recruited him as a senior photographer. Since that day he has had thousands of photos published for clients worldwide with more than 100 magazine covers to his name.
Today, Scott still shoots full time the sports he loves; Snowboarding, Skateboarding, Surfing and Biking but recently has shifted some focus towards commercial photography working for Clients such as Filson, Red Bull, Lululemon, Whistler-Blackcomb and GQ.
in 1996 he became a staff photographer for the largest czech sports daily, deník sport, and two years later landed a position as staff photographer with the football magazine hattrick. in 2002 he moved to germany and joined getty images, where he remained until 2010.
vladimir’s work covers a wide range of subjects including sports, reportage, portraiture, and commercial photography.
since 2005 his main field has been formula one, where he is considered one of the sport’s most influential photographers. his photographic style has a very distinguishable look without overusing postproduction tools and deriving much of his style from his background in analog photography. this has also brought him vast recognition outside of the formula one paddock. his classic photographic approach remains a benchmark in formula one photography, even in the digital age.
his distinctive style has brought him numerous awards and a variety of clients. his awards include “photographer of the year 2000” in the czech republic, “photographer of the year 2010” in germany, “formula one photographer of the year 2008“ by red bulletin magazine, and „formula one photographer of the year 2014“ by italian motorsport federation confartigianato motori.
that magic moment when the eye, light, composition and technical skills merge in a split second to create an extraordinary photograph is what inspires him. he always believes that his next image will be his best.